I have developed this shot further into “blocking plus”, adding clearer transition poses, improving the timing of my keys and poses, and adding moving holds and pairs of keys. I’m hoping that when I move this shot from stepped keys into spline, this extra effort will translate more quickly and retain a close similarity to how it looks in blocking. This process I feel really helps with developing the workflow of my shots, since I’ve found that working immediately in spline has me waste a lot of time making minor corrections because I’m preoccupied with correcting curves rather than having strong key poses.
Advanced Animation 13: Blocking Plus
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